I have a new album out.
It’s called Human Goings.
I’m really proud of it.
It’s free to listen to on bandcamp.
I hope you like it.
This wikipedia entry for Goldfish cracker flavours turned into a succinct history of the decline of the American palate. At a certain point (Xplosive Pizza) the author loses the will to continue formatting them as list items.
reblogged from sniffyjenkins
Good Morning, I Am Not Going to Commit Suicide Today, by Kimmy Walters
I would buy the shit out of this if it was short poems composed into a book.
good news! it is
reblogged from ka-waltz
me rollerblading into my therapist’s office this week with sunglasses and a piña colada: maurice, you’re not gonna fucking believe this,
reblogged from sniffyjenkins
2016-11-08 Ocean As an exercise in radical acceptance, I’ve set up my computer to automatically post whenever I save an image file. This is one of those pages.
reblogged from machinery
It feels crazy that I have to say this, but I would pay good money for a version of Red Letter Media’s reviews that didn’t feature all those added scenes where, you know women get kidnapped and murdered.
It’s like you sit down in front of these feature-length reviews of Star Wars and Star Trek films and you think, hey, wow! Here is some really well-thought-out commentary on the structure and content of narratives that’s incredibly entertaining, insightful AND funny, I’m gonna share this with my mothe– oh wait, no, here’s a scene where we watch the reviewer gas a kidnapped woman to death and here’s one where a prostitute tied up in the basement begs for her life and here’s one where he shows us how he murdered his wife.
There’s some great filmic insights here, all baked together with scenes of women (it’s always women) about to be murdered that do absolutely nothing except to maybe make you laugh? Because look that one woman is begging that her life be spared and saying she’ll do anything! Hah hah hah that IS a good one!!
It’s so frustrating because the actual review parts verge on brilliant, and I keep thinking “oh, they’ll definitely cut out the violence towards women played for laughs in the next video” but noooooooooooope.
tl;dr: internet, what is wrong with you
There’s a new one out for The Force Awakens and I thought “hey I wonder if they’ve decided to focus on great critical insight and just drop the horrible ‘jokes’?” and the answer is NOPE, plus now there’s jokes about “Chinamen” and raping women to death too, and that’s just in the first 10 minutes. ENJOY??
UPDATE: there is an edit of The Phantom Menace review that keeps the criticism and removes everything else! Thanks James for sending it my way.
reblogged from ryannorth
I moved across the country.
I drove a truck with everything I own across the US. Slept in hotels with wicker chairs in the midwest. Then the land became less flat as I went westward. Mountains - for the first time, I drove by mountains! Not some backdrop in a photo from a vacation, not a distant skybox in a game’s fantastical vista, but watching the ground beneath my wheels pour out and burst to the sky, massive displacements of stone and soil that are both gradual and violent and now exist in this strange classification of our brains that is known as “beautiful” and categorizing it in any other way seems a pure logic error, how we’ve evolved for eons with these vistas and our minds have bent to appreciate them as universally pleasing as the smell of baked bread.
The salt flats of Utah were alien and harrowing, and I was not prepared.
I’ve left everyone I’ve ever grown to know and love in my home state. I’ve left behind relationships I’ve fostered for my entire life, and packed my things and set off to the west coast to be with a man that I love.
It’s been a month, and I’m still terrified.
For six years I kept my childhood unsorted in a pile in the basement I lived in. Purging whenever a wave of mania lent me energy to clean, and repeatedly setting aside boxes of abandoning fathers, art from elementary school and ACT scores, resolving that I’ll “deal with them when it’s time”.
I threw those things onto a truck (or rather, my partner did as I carried things out; he flew out to say goodbye to the four children I’ve lived with since their birth and goodbye to my mom and goodbye to Ohio), and when I arrived here - arrived! the destination, the final point of settling, this place still doesn’t feel worthy of those qualifiers, as if I’m a vagrant forever dependent on the kindness of others while I struggle to make a living, the lies that Capital D Depression peddles as unmovable truth despite any personal success you’ve garnered - when I arrived, it was time to confront them.
Abstract crayon lines drawn in therapy that represented how much I missed my father, gaudy golden trinkets from my racist grandmother, photographs of me with my late, brilliant, black and beautiful grandmother whose mind failed before her body and whom I think I will never be done grieving, my expired notary certificate from when I was an accountant and drank too much, and seashells from my preschool years of summer visits to my father when he lived in the Carolinas with the red-headed baker he left us all for.
Last night, I walked to the beach (the beach! the ocean! I’ve never lived at the edge of the earth before, and my mind still isn’t able to reconcile it fully), and with my partner I threw the seashells I kept in a sticker-covered tub for twenty years into the ocean.
It was symbolic of a lot of things. Letting go of the past was one, recognizing the transience of life another, clean slates and new beginnings and not letting pain be a barrier keeping you from moving forward.
Distributing fifty-two individual goodbyes to students of mine while wearing a charismatic smile when I wanted to cry is exactly as exhausting as I thought it might be and it tires me even now to think of those last days of sadness.
I think there are a lot of things that I’m still grieving.
Once I’m self-sustaining (a common theme in my mental list of priorities, one that I feel I always fall short of and therefore becomes supporting evidence that I don’t deserve to be here, wherever that here is at that moment), it’ll be better. I love this man. We’re starting a life together and it’s brilliant so far, but it’s continuously peppered with self-doubt that I’m no more than a burden, that I’m baggage with its own adorable complete set of miniature baggage in tow filled with lead, and I’m farther away from my mom than I’ve ever lived, and the apartment is overrun with my gluttonous array of musical instruments that on good days I can say is what pays my bills, and, and, and, and,
and my smartwatch just told me that it’s time to breathe.
Hello from San Francisco,
Wish You Were Here!
But it’s good. In re-indexing my life in its current state there’s no way that the tally is in the red, no matter how you look at it. It’s a transitory period, and soon it will settle - the dust, me, the world around me that’s now lush and green and alien and full of birdsong that I can’t identify - and I have to breathe.
Life is good, life is grand. It is difficult to be alive, but it’s worth it, I think. Especially now that I’m here.
Side B.
Cue Adele.




(Source: flickr.com)
Sorry! A bit of a rant. A response not so much to the specific comic as it is to the general idea that art is pain and wailing and gnashing of teeth. Nope. Not having it. I call bull.
Here’s the book. Here’s a bit more on the Trickster idea.
Go out and make friends, kids.
It was originally a rant but I need to remind myself of this again
reblogged from referredpain
Recently did some studies of the main character from my new illustration series “Cold In Yokohama” just to get to know him better. As usual I used my PILOT Kakuno pen and watercolours to do it quickly.
最新のイラストシリーズ「横浜がさむい」の主人公と仲良くなるために、彼のいろんなポーズを描いてみました。こんな絵を描く時は、いつもパイロットのKAKUNO万年筆と水彩を使います。
reblogged from mattjabbar-deactivated20240609
reblogged from referredpain

